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Email Design

Many Subscriber Preferences to Respect

Wednesday, July 22, 2009 by Melinda Baxter
The toughest part of translating diverse subscriber preferences into one email seems to be at the “getting started” stage. It’s really an exercise in visual organization with some puzzle-building skills.

Here are the steps I recommend to tackle the process of building a communication that drives performance based on individual preferences:

1. Construct a content strategy grid that captures:
     a. Primary business action desired from the communication (brand engagement, sales conversion, event sign-up, etc.).
     b. Drivers that will influence that action (imagery, testimonials, price incentives, valuable industry information, product benefits, etc.).
     c. Secondary business actions that can eventually path the subscriber to the primary action (links to product videos, cost comparison calculators, recorded webinars, purchase of lower cost-entry products, etc.).

2. Build a wireframe (puzzle-building skills):
     a. Create 3 sections: preview pane, opened email (above the fold), below the fold (subscriber needs to scroll to view).
     b. In the preview pane space (approximately 380 pixels deep), include a content area for customizable key messages based on subscriber preference – primary action desired. This zone will have images blocked in most subscriber views, so keep the message in HTML text.
     c. In the opened email view (approximately 600 pixels deep), build content areas for the engagement drivers that will drive a response.
     d. In the scrolled view (below 600 pixels deep), include content areas for the highly engaged subscribers that scroll to find continued relevance, and ensure it can be teased/linked from the top of the email.

3. Create content modules for each subscriber segment that are styled to seamlessly flow into the overall email design. Build relevant “default” content for those without declared preferences. Test a sample of each segment to make sure the result appears seamless, not patched to the subscriber.

4. Leverage your subscriber preference data and ‘content rules” to deliver customized content into the email at time of send. 

It does take more upfront planning to address subscriber preference diversity in design, but the added effort can significantly impact performance.

Email Design Ransom Note

Thursday, February 5, 2009 by Melinda Baxter


I have your important message hidden behind  in HotMail and 

elsewhere!  You thought your Alt tag would save you?  Hah! That image naming tag won't provide your precious subscriber with any clues to this message in HotMail, AT&T or AOL 9 where they can't display.  It is also nicely disguised in Outlook following the security message: 



Nice try!

If you want your revenue from this email campaign back from your beloved subscribers using AOL, GMail, Hotmail, MAC, Yahoo, AT&T, Outlook, etc..., then let's talk.

Are you ready to negotiate on my terms??   Check out this paper for more clues to getting your message to display in my unique world!

Email Image Blocker,

     
 

Email Design Tip of the Week: Are Words "Text" or Images?

Tuesday, February 3, 2009 by Melinda Baxter

Myth: “I include more text than images in my emails, so address image-blocking in my subscriber’s inbox”

Reality: If that text is included within an image, it becomes a part of that image and is treated as an image. It looks like this:

If that text is placed separately from an image, but is not a web safe font (Arial, Arial Black, Comic Sans, Georgia, Impact, Tahoma, Times New Roman, Trebuchet MS, Verdana), then it is still treated as an image.

I don’t think the Designer for this brand intended this graphic message: 

 


To be viewed like this:

Since the majority of subscribers are viewing our emails with images blocked by default, and are making a decision to open based on a preview pane view, this is a pretty important graphic design moment. What is the advantage of making the subscriber guess our message at this stage of viewing, knowing that 80% may scroll away at this point? Beautiful, engaging, provocative, emotive imagery can be all of those things..... when seen.

I think it is a bit presumptuous to assume an open. Eye-grabbing design that ignores performance in an image-blocked medium has an arrogant attitude, and uses marketing investments poorly. There doesn’t have to be a battle between great brand design and great performance. This interactive medium can extend well beyond the boundaries of the fontiful, image-based world of print ads, with links to product pages, video demonstrations and landing pages filled with content-rich brand engagement. 

 

(sorry – used "French Script" so you can’t read my clever sign-off)

Email Design Tip of the Week: Clooney v. Penn?

Tuesday, January 27, 2009 by Melinda Baxter

We created a brand called “Northern Trail Outfitters” years ago to use for email demos and email best practices illustration. Our Nordic colleagues (Minneapolis) were responsible for the company name and outdoor product offering of everything from parkas to hiking boots to kayaks. The brand could be personified by Sean Penn in a kayak searching for a deep mystery in the wilderness to (my favorite) George Clooney stranded in Moose Lake with a yellow parka as a float device next to a befuddled Hoosier marketer lost on a photo shoot (me!!).

Can you imagine the opportunity to take a fresh look at your brand and design from scratch? What if there wasn’t an internal review process, legacy ideas of what the brand should be, and design-by-committee input? The Design Team at ExactTarget loves our opportunity to keep the value proposition of Northern Trail Outfitters fresh and compelling, with best design and email practices covering every pixel of the email. It may not be corporate reality, but is an incredibly powerful process to undertake for performance evaluation and optimization. 

Have you given your design team a chance to put aside unproductive corporate design baggage and ideate a fresh view? Design is a discreet talent that can flourish with a little freedom. Performance-driven design leverages this talent with performance strategies. (o.k. – George Clooney in our yellow parka may be all we need, but Sean Penn is a worthy A/B test split)

Email Design Tip of the Week: Font Points

Tuesday, January 20, 2009 by Melinda Baxter

Arial, Times New Roman, Impact... it seems like we all have fonts we love, fonts we hate, and maybe even fonts we love to hate (Comic Sans, anyone?)

Fonts (or typefaces to the typophiles out there) are a tremendous asset to the design process. Your choice of typeface serves as the voice for your message and can convey the personality of your business, product or service - modern or traditional, industrial or natural, serious or fun. While you technically can specify any font installed on your computer in your email design, you might stop to consider how many of your subscribers have "BoosterRocketLight83" installed on their system. Rather than take the risk that your award-winning email design doesn't display as you intended, consider using "web safe" fonts instead. These fonts are likely to be present on a wide range of computer systems, and often come pre-installed, increasing the likelihood that everyone can view your original design. They can also display when images are blocked – giving the subscriber a preview of your message before opening the email.

Before you contemplate what kind of personality Impact has (or perhaps you're debating between Arial and Verdana for the 698th time and need a good laugh), wander over to the Font Conference  for a quick primer in font typology:
 


 

What’s Up, DOC? (Design Optimization Check-Up)

Tuesday, January 20, 2009 by Melinda Baxter

I find most companies still don’t have a defined plan to assess, test, and optimize their email designs on a regular basis. However, the same companies have annual marketing planning sessions, undergo regular advertising reviews, and test direct mail programs at highly detailed levels. Since email—if running optimally—is a proven boost to the bottom line, then regular check-ups increase email marketing effectiveness. Somehow, email optimization still slips through the marketing/finance program cracks.

I like Edith Mumford’s quote: “Contentment:  The smother of invention.” Contentment won’t grow email marketing revenue.

So why do I see companies continue to hold on to unhealthy email design habits? I hear marketers state that email is so inexpensive, it is enough to just be in the game—with any repurposed creative. Unfortunately, that program is destined to perform like a car that only gets an oil change when it chokes and quits. This highly personal medium can actually cause relationship damage if it doesn’t emotionally engage through message and design. After all, there are plenty of other emails in the inbox to open!

A regular top to bottom inspection of email design can result in significant performance shifts. These are my top “DOC” recommendations, from head to toe:

  • Pre-Header: Is there a design for this zone?  Is it clean and clear to entice an open? 
  • Header: Is the branding part of the same gene family as the website? Are the graphics still relevant, or is a refresh in order? 
  • Preview Pane View: The brain of the email – it drives subscriber responses since most subscribers drop off at this point. Is the design delivering a clear message?
  • Opened Email, “Pre-scroll”: How is your eye-tracking vision? Does the design weave the eye in an intentional way to the primary call-to-action graphic? Do design elements still drive engagement? Have you conducted some A/B tests lately? Try new elements and eye-tracking patterns and test. Include a rendering test as well across the major email clients and readers to validate and refresh HTML code. 
  • Footer: Are all links, copyrights, and disclaimers current? Is this a “bottom feeder” for stuff you don’t want to get rid of to appease internal audiences?  Is there design delight for those deep-dive readers who make it to the bottom?

The beginning of the year is a good time for a creative refresh, building test plans with these design refreshes. Tangible results can then be incorporated into next year’s annual marketing plans. Quarterly check-ups can also align with quarterly business reviews to keep design audits scheduled throughout the year. 

When’s your next design optimization check-up scheduled?